Turing Machina - Sequencer


#4

Not that i know of :slight_smile: what channel did you set in the organelle menu?
@wannop


#5

3, then 2, then 4, then 1. It only worked on 1!

I was sending midi to another organelle also assigned to the same channel.


#6

:thinking: ill have a closer look…


#7

Yeah, your right, i tested it yesterday with an OP-1. Only Ch1 came through… i hope i have some time over xmas - to release a new version with a settings page.


#8

Version 2 is now available:
https://patchstorage.com/turingmachina

Now in Multipage and more control like midi channel select and step selection or randomisation.


#9

Thanks for this @ringhof lots of fun to have :wink:


#10

So good to see, Thanks @keymanpal


#11

I’ve been using this to drive some instruments in Ableton Live, but using the ‘scale’ midi function in Live to filter the random notes into a preferred key because I’m a softie like that. I wonder of it’s possible to add note quantization (E.g. Emin) to this patch. Does anybody know of any note quantizer/filter patches or externals I could learn from? This is a sequencer worth turning into a ‘module’ for other sound-making patches as the Polybeats sequencer has.


#12

Maybe this? Cool idea.


#13

Great idea! i am not quite familiar with all the scales - but if some one can provide the notes of the prefered scales i think i could implement such an option!

i am currently working on a new version so any inputs are welcome.

i added a divider/multiplyer to the sequencer bpm so you can slow down or speed up the sequence without changing the outgoing midi-clock.


#14

Yesssss clock dividers are amazing, love that dynamic rhythmic switch up!
I’ll try to find/create a file of scales with corresponding midi notes. What is the full range of the sequencer? Sounded like 2nd-5th octave to me?


#15

Hope this helps…
This i have from using Eigenharps scales:

Name Notes
natural major [0 , 2 , 4 , 5 , 7 , 9 , 11 , 12]
ionian [0, 2, 4, 5, 7, 9, 11, 12]
major [0, 2, 4, 5, 7, 9, 11, 12]
chromatic [0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12]
spanish 8 tone [0, 1, 3, 4, 5, 6, 8, 10, 12]
flamenco [0, 1, 3, 4, 5, 7, 8, 10, 12]
symmetrical [0, 1, 3, 4, 6, 7, 9, 10, 12]
inverted diminished [0, 1, 3, 4, 6, 7, 9, 10, 12]
diminished [0, 2, 3, 5, 6, 8, 9, 11, 12]
whole tone [0, 2, 4, 6, 8, 10, 12]
augmented [0, 3, 4, 7, 8, 11, 12]
3 semitone [0, 3, 6, 9, 12]
4 semitone [0, 4, 8, 12]
locrian ultra [0, 1, 3, 4, 6, 8, 9, 12]
locrian super [0, 1, 3, 4, 6, 8, 10, 12]
indian [0, 1, 3, 4, 7, 8, 10, 12]
locrian [0, 1, 3, 5, 6, 8, 10, 12]
phrygian [0, 1, 3, 5, 7, 8, 10, 12]
neapolitan minor [0, 1, 3, 5, 7, 8, 11, 12]
javanese [0, 1, 3, 5, 7, 9, 10, 12]
neapolitan major [0, 1, 3, 5, 7, 9, 11, 12]
todi [0, 1, 3, 6, 7, 8, 11, 12]
persian [0, 1, 4, 5, 6, 8, 11, 12]
oriental [0, 1, 4, 5, 6, 9, 10, 12]
phrygian major [0, 1, 4, 5, 7, 8, 10, 12]
spanish [0, 1, 4, 5, 7, 8, 10, 12]
jewish [0, 1, 4, 5, 7, 8, 10, 12]
double harmonic [0, 1, 4, 5, 7, 8, 11, 12]
gypsy [0, 1, 4, 5, 7, 8, 11, 12]
byzantine [0, 1, 4, 5, 7, 8, 11, 12]
chahargah [0, 1, 4, 5, 7, 8, 11, 12]
marva [0, 1, 4, 6, 7, 9, 11, 12]
enigmatic [0, 1, 4, 6, 8, 10, 11, 12]
locrian natural [0, 2, 3, 5, 6, 8, 10, 12]
natural minor [0, 2, 3, 5, 7, 8, 10, 12]
minor [0, 2, 3, 5, 7, 8, 10, 12]
melodic minor [0, 2, 3, 5, 7, 9, 11, 12]
aeolian [0, 2, 3, 5, 7, 8, 10, 12]
algerian 2 [0, 2, 3, 5, 7, 8, 10, 12]
hungarian minor [0, 2, 3, 6, 7, 8, 11, 12]
algerian [0, 2, 3, 6, 7, 8, 11, 12]
algerian 1 [0, 2, 3, 6, 7, 8, 11, 12]
harmonic minor [0, 2, 3, 5, 7, 8, 11, 12]
mohammedan [0, 2, 3, 5, 7, 8, 11, 12]
dorian [0, 2, 3, 5, 7, 9, 10, 12]
hungarian gypsy [0, 2, 3, 6, 7, 8, 11, 12]
romanian [0, 2, 3, 6, 7, 9, 10, 12]
locrian major [0, 2, 4, 5, 6, 8, 10, 12]
arabian [0, 1, 4, 5, 7, 8, 11, 12]
hindu [0, 2, 4, 5, 7, 8, 10, 12]
ethiopian [0, 2, 4, 5, 7, 8, 11, 12]
mixolydian [0, 2, 4, 5, 7, 9, 10, 12]
mixolydian augmented [0, 2, 4, 5, 8, 9, 10, 12]
harmonic major [0, 2, 4, 5, 8, 9, 11, 12]
lydian minor [0, 2, 4, 6, 7, 8, 10, 12]
lydian dominant [0, 2, 4, 6, 7, 9, 10, 12]
overtone [0, 2, 4, 6, 7, 9, 10, 12]
lydian [0, 2, 4, 6, 7, 9, 11, 12]
lydian augmented [0, 2, 4, 6, 8, 9, 10, 12]
leading whole tone [0, 2, 4, 6, 8, 10, 11, 12]
blues [0, 3, 5, 6, 7, 10, 12]
hungarian major [0, 3, 4, 6, 7, 9, 10, 12]
pb [0, 1, 3, 6, 8, 12]
balinese [0, 1, 3, 7, 8, 12]
pe [0, 1, 3, 7, 8, 12]
pelog [0, 1, 3, 7, 10, 12]
iwato [0, 1, 5, 6, 10, 12]
japanese [0, 1, 5, 7, 8, 12]
kumoi [0, 1, 5, 7, 8, 12]
hirajoshi [0, 2, 3, 7, 8, 12]
pa [0, 2, 3, 7, 8, 12]
pd [0, 2, 3, 7, 9, 12]
pentatonic major [0, 2, 4, 7, 9, 12]
chinese [0, 2, 4, 7, 9, 12]
chinese 1 [0, 2, 4, 7, 9, 12]
mongolian [0, 2, 4, 7, 9, 12]
pfcg [0, 2, 4, 7, 9, 12]
egyptian [0, 2, 3, 6, 7, 8, 11, 12]
pentatonic minor [0, 3, 5, 7, 10, 12]
chinese 2 [0, 4, 6, 7, 11, 12]
altered [0, 1, 3, 4, 6, 8, 10, 12]
bebop dominant [0, 2, 4, 5, 7, 9, 10, 11, 12]
bebop dominant flatnine [0, 1, 4, 5, 7, 9, 10, 11, 12]
bebop major [0, 2, 4, 5, 7, 8, 9, 11, 12]
bebop minor [0, 2, 3, 5, 7, 8, 9, 10, 12 ]
bebop tonic minor [0, 2, 3, 5, 7, 8, 9, 11, 12 ]
monotone [0]

#16

Great! i see what i come up with :slight_smile:

which one of these are the most important or you need the most?


#17

This is brilliant! Working on a sequencer myself and would be great to incorporate a scales quantized. Watching with interest! :smiley:


#18

Thanks @ringhof I think most used scales are:
natural major, natural minor, blues, pentatonic, major;

but more stranger ones are fun also:
egyptian, spanish, arabian, hirajoshi…


#19

One Question, i would like to set the octaves right before i make the quantization of the different scales.
at the moment these are:
low Scale” includes 3. and 4. Octave
mid Scale” includes 5. and 6. Octave
hi Scale” includes 7. and 8. Octave

is this to high? should it be

2nd + 3rd Octave
4th + 5th Octave
6th + 7th Octave

(the name low scale ect… will be changend to low Octaves in the new version - not to confuse users
because of the quantization of scale setting)

Sorry i am real sucker when it comes to music theory :nerd_face:


#20

I like things more on low then high…


#21

Why not pick one and then have ability to dial in another octave or two using a knob?


#22

yes - the intend is to set the quantization and octave range independently.


#23

Sorry have quite a lot work at the moment… so you need some patience with me! :sweat_smile:

In the mean time: heres a recording of my last live performance in which i used this
patch to steer curtain modules of my live setup.

beware its drownie :sleeping: